Every camera on one clock — precisely, and by hand where needed
VST aligns the cameras from their own audio onto a single incident clock — here five of seven: body-worn, a bystander's phone, forecourt CCTV, an in-car radio. Where cameras share sound the audio match is frame-accurate, each placement carrying its confidence, with a radio match flagged as time-only — correctly aligned, but not proof the camera was at the scene. A camera with no shared audio — a silent CCTV feed, a distant angle — isn't guessed onto the clock: you place it by hand against a shared reference, and it's marked as reviewer-set.
The audio matcher is precise where cameras share sound and honest where they don't. Two feeds here have no shared audio, so they're set aside for a reviewer to place by hand — never faked onto the timeline.



